PLUS and MINUS things

byAMT Studio: + – diary

Archive for April 2009

+ Visionaire 56 Solar

without comments

visionaire-solar-powered-1

 

Above: Cover art by Roe Ethridge. Below: Photo by Inez Van Lamsweerde & Vinoodh Matadin. 

visionaire-solar-inez-vinoodhvisionaire-solar-richard-burbridge

Above: Photo by Richard Burbridge.


visionaire-solar-alex-katz

Above: Painting by Richard Phillips.

Visionaire 56 Solar is the latest issue of Visionaire Magazine, one of the most amazing magazine collections in my opinion. They are always working with the senses in one way or another. Often using cutting edge technology or get together the most amazing artists from all over the world. Visionaire was the first magazine to laser cut instead of print an entire magazine. 

This Solar issue is again quite stunning, all images inside the magazine appear black and white, the white embroidered cover appears all white in normal indoor light. Once you take the magazine outside into the sunlight this black and white or white image turns into colour, just like magic! 

Participating artists are Yoko Ono, John Baldessari, Inez Van Lamsweerde & Vinoodh Matadin, Richard Phillips, Richard Burbridge, M/M, Ryan McGinley, and more. Enjoy!

Thank you Refinery 29 pipeline.

Written by byAMT

April 24, 2009 at 23:56

+ Ron Gilad’s Spaces Etc./An Exercise in Utility

without comments

200_1

birth of a chair’ by ron gilad
enameled sterling silver
all images courtesy wright20

aooo2

birth of a chair’ by ron gilad201_1204_11

Meant to post this last week when we received an invite for Ron Gilad first solo exhibit, also known for his design studio: DesignFenzider at Wright in Chicago (Wright is the premier auction house specializing in modern and contemporary design). Spaces Etc./An Exercise in Utility encompasses (I believe 40) objects that question our relationship with the architectural environments that define our immediate surroundings. The pieces above really made me smile, especially the chairs, the pieces below that are objects/spaces that we’ve all doodled in our sketchbooks and thought about, or used to emphasize a space without drawing all the lines. This is why I like a lot of Ron’s work. It’s great to see all these minimal amounts of lines that create spaces and objects and you can still decide if it is about the space inside or outside of the lines or even both, that creates the object or triggers the usage that we understand when we see this object. (An Excersize in Utility)

gilad01

coffee table

Written by byAMT

April 17, 2009 at 01:32

+ Kevin Francis Gray Sculptures

without comments

gray2gray1

Face-off (detail), 2007
Bronze, Automotive Paint, Wood Plinth
Boy: 42 x 16 x 12 inches (106 x 40 x 30 cm)
Girl: 41 x 16 x 12 inches (104 x 40 x 30 cm)
Plinths: 36 x 12 x 12 inches (91 x 30 x 30 cm)
edition of four

Kevin Francis Gray Born 1972, in Northern Ireland. Lives and works in London. He is represented by the Goff + Rosenthal Gallery in New York. Kevin’s work was posted on booooooom.com a little while back. The work is amazing, at first glance it’s a traditional bronze + marble type of work, however the topics and detailed nuances like the Ghost Girl, 2007 (see below) has cuts in her arm. Ghost Girl is a cutter. Also the fashion, hair, etc are of now. However the way it’s put on a pedestal gives it a very different feel and empasizes the skill level of his pieces.

Thank you booooooom.com

kfg_ghost-girl-marble-3kfg_ghost-girl-marble-4kfg_ghost-girl-marble2

Ghost Girl, 2007
Carrara Marble, Glass Crystal Beads
71 x 28 x 24 inches
180 x 70 x 60 cm
edition of four

tomb_toptomb_detail

Kids on a Tomb, 2008
fiberglass resin,  automotive paint, wood
65 x 43 x 39 inches (165 x 110 x 100 cm)

Written by byAMT

April 14, 2009 at 22:16

+ Steve Bishop Sculptures

without comments

staringatcats1

Staring at Cat Staring at Cat Staring (2007) – Air-dry clay,
fluorescent tubing, electronic balast, wires. 170 x 30 x18cm (w/out
wires)

suspension1suspension2
Suspension of Disbelief (2007) – Taxidermied fox, fluorescent tubes,
electronic balllasts with wood + perspex housing, wires. 170 x 170 x
160 cm

These pieces are by Steve Bishop, they’re from different years and he keeps working on different iterations of these pieces with Fluorescent tubes. See below some more pieces. Steve has started working with color and and light in his most recent pieces as well. Steve Bishop was born in Canada but now resides in London.

Thank you NeuBlack

kickingme1kickingme2

Written by byAMT

April 13, 2009 at 22:15

+ Wyne Veen photography

without comments

pers1pers7pers2

These photos were taken by a still-life Dutch photographer Wyne Veen for De Pers a Dutch daily paper. In this series you can see Collection Arnhem. These are only a couple of the images of the series. Wyne Veen definitely is a specialist in Still Life. Not all of the photos are as strong. However it is fun to go through her portolio of pieces. A lot of different kind of work.

See below here Perfume series from 2009.

crispyfeelmagicdelight

Written by byAMT

April 13, 2009 at 21:58

+ / – Alison Berger

without comments

0309_f_berger_04dl

Alison Berger glass vessels. I am not a huge fan of the most of the pieces featured on American Craft Magazine, but these had something interesting. Could probably be thought out a bit further.

Written by byAMT

April 13, 2009 at 21:02

+ Inez van Lamsweerd & Vinoodh Matadin

without comments

me-kissing-vinoodhpassMe Kissing Vinoodh (Passionately)  (1999?)

I have loved this photo by Inez van Lamsweerde since I saw it at the Whitney (I think), it’s such a strange, but fascinating photo. It’s very simple in a way which is why I like it so much.

Written by byAMT

April 9, 2009 at 23:07

+ Aldo Bakker Porcelain Tableware

with 2 comments

05-water-carafeproduction_-frans-ottinkdistribution_-tephotography_-erik-en-petra-hesmerg

Water carafe – production: Frans Ottink – distribution: t.e.
photography: Erik en Petra Hesmerg

04-vinegar-flaskproduction_-frans-ottinkdistribution_-tephotography_-erik-en-petra-hesmerg

Vinegar flask – production: Frans Ottink – distribution: t.e.
photography: Erik en Petra Hesmerg

A short post to share these beautiful new pieces by Aldo Bakker, now available through t.e., a label from The Netherlands. Some of the shapes Aldo had already made in Silver for t.e. but this porcelain set makes more sense to me. Also the Vinegar Flask, just has beautiful and “flowy” shapes that make the vinegar flowing out of it even better, it actually enhances the action of “pouring vinegar”.

I am not sure if these “carafes” really tell you what is supposed to be in it by the way they look, I am thinking if you own these you would maybe switch uses. But let’s get these in the house first and try em out!Or maybe just look at them. Also check out the t.e. label (named after the owner of the label Thomas Eyck) for more beautiful collections. I think it’s one of the most impressive lines of smaller products and small furniture around at the moment.

01-milk-canproduction_-frans-ottinkdistribution_-tephotography_-erik-en-petra-hesmerg

Milk can – production: Frans Ottink – distribution: t.e.
photography: Erik en Petra Hesmerg

porcelain-tableware_aldob

Written by byAMT

April 9, 2009 at 22:53

+ Greg White Photography

without comments

lar_folio1_11lar_folio1_14lar_folio1_16lar_folio1_18

 

A quick post for today. Greg White’s photography is simply amazing. The topics are sometimes pretty generic, however the way and also the colour in his photos is very compelling, sometimes cold and crisp, sometimes seemingly without colour, but yet there is an amazing amount of colour in each photo. 

Am posting a bunch more below, all part of his portfolio pieces. Enjoy!

Greg is represented by Webber represents in London and NYC.

lar_folio2_04lar_folio2_02lar_folio2_22lar_folio2_29lar_folio2_11

Written by byAMT

April 7, 2009 at 20:20

+ – Jean-Charles de Castelbajac’s “Triumph of the Sign”

without comments

jean-charles-de-castelbajac-21jean-charles-de-castelbajac-51jean-charles-de-castelbajac-31jean-charles-de-castelbajac-41

jean-charles-de-castelbajac-61

 

Paradise Row presents Jean-Charles de Castelbajac’s  first solo show”Triumph of the Sign”  from 3 Apr – 2 May 2009. Throughout his ground breaking career as a fashion designer, Castelbajac has employed a strategy of ‘cultural hijacking’- the appropriation, recycling and synthesis of images, signs, symbols and styles from both popular culture and high art to create still newer designs and visions. In keeping with his openness to the ever-shifting world of contemporary visual culture, Castelbajac has collaborated with artists including Keith Haring, Jean-Michel Basquiat, Andy Warhol, Bettina Rheims and Loulou Picasso.
These pieces are great in a way, but I am actually also surprised that Castelbajac has used symbols that so many students in school or graphic artist will use to make their point about our consumer culture. In the Paradise Row information is mentions Castelbajac is looking at the synergy between art and mass consumption. I have to admit I have a weak spot for these kinds of compositions. Is that a flaw?! (the McDonalds logo is my least favourite btw).
 
Here some readings that inspired Castelbajac:
 
“Constant revolutionizing of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation distinguish the bourgeois epoch from all earlier ones. All fixed, fast frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real condition of life and his relations with his kind.”
Karl Marx, The Communist Manifesto

“The bastard form of mass culture is humiliated repetition… always new books, new programs, new films, news items, but always the same meaning.”  Roland Barthes, The Pleasure of the Text

Written by byAMT

April 7, 2009 at 01:44